The house was designed by the young English architect William Jay (1792-1837), one of the first professionally trained architects practicing in the United States. The elegant residence was built for cotton merchant and banker Richard Richardson and his wife Francis Bolton. Mr. Richardson's brother-in-law was married to Ann Jay, the architect's sister.
Overlooking Oglethorpe Square, the house was constructed on a prominent trust lot, site of the colonial residences of the surveyor generals of South Carolina and Georgia, Henry Yonge and William Gerard DeBrahm. An inscription under the front portico signed by the local builder John Retan reads: Began Nov AD 1816 / Finished Jan AD 1819.
Three years after the house's completion, Richardson suffered financial losses and sold his house which later ended up with the Bank of the United States. For eight years, Mrs. Mary Maxwell ran an elegant lodging house in the structure. Revolutionary War hero Marquis de Lafayette was a guest of the city in 1825 and stayed at the home. On March 19, he is believed to have addressed a throng of enthusiastic Savannahians from the unusual cast-iron veranda (pictured, top right) on the south facade.
In 1830, planter, congressman, lawyer, and mayor of Savannah, George Welshman Owens, purchased the property for $10,000. It remained in the Owens family until 1951 when Miss Margaret Thomas, George Owens's granddaughter, bequeathed it to the Telfair Museum of Art. The historic house, now called the Owens-Thomas House, is a National Historic Landmark.
| Hours of Operation |
12:00 PM - 5:00 PM
Mon:
10:00 AM - 5:00 PM
Tues:
10:00 AM - 5:00 PM
Wed:
10:00 AM - 5:00 PM
Thurs:
10:00 AM - 5:00 PM
Fri:
10:00 AM - 5:00 PM
Sat:
1:00 PM - 5:00 PM
Sun:
Additional Info:
Brussels Carpet Installed in Dining Room In March, the Owens-Thomas House reintroduced wall-to-wall Brussels (loop pile) carpeting in the museum’s dining room. A Bill of Sale of House Furnishings sold by Richard Richardson – the first owner of the house – to his business associate Durham T. Hall documents the inclusion of a Brussels carpet in the room in 1822. Although no remnants of the original carpet exist, the museum chose a documented early 19th-century design featuring a brilliant orange pattern referred to as “Chinese Lattice” to cover the floor. The English carpet manufacturing company Woodward Grosvenor wove the new wool carpeting at a standard width of 27 inches using methods from the late 18th and early 19th centuries. The carpet was then shipped to the United States in 27-inch rolls and delivered to the Gfroerer Company, rug and carpet specialists based in Cincinnati, Ohio. After hand-sewing the individual rolls, Robert Gfroerer installed the completed carpet in the O-T di
|
|
|